Mainomai

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Theodoros Rallis

Ὢ ποδός, ὢ κνήμης, ὢ τῶν (ἀπόλωλα δικαίως)
μηρῶν, ὢ γλουτῶν, ὢ κτενός, ὢ λαγόνων,
ὢ ὤμοιν, ὢ μαστῶν, ὢ τοῦ ῥαδινοῖο τραχήλου,
ὢ χειρῶν, ὢ τῶν (μαίνομαι) ὀμματίων,
ὢ κακοτεχνοτάτου κινήματος, ὢ περιάλλων
γλωττισμῶν, ὢ τῶν (θῦέ με) φωναρίων.
εἰ δ’ Ὀπικὴ καὶ Φλῶρα καὶ οὐκ ᾄδουσα τὰ Σαπφοῦς,
καὶ Περσεὺς Ἰνδῆς ἠράσατ’ Ἀνδρομέδης.
(Philodemus, Anth. Gr. 5.132)

Oh feet! Oh calves! Oh (I’m done for – and rightly so!) thighs! Oh buttocks! Oh vulva! Oh flanks! Oh shoulders! Oh breasts! Oh slender neck! Oh arms! Oh (I’m going mad!) eyes! Oh most lascivious movements! Oh outstanding tonguings! Oh (slay me!) her exlamations! If she is Oscan, named Flora, and does not sing Sappho’s songs – well, even Perseus fell in love with Indian Andromeda. (tr. William Roger Paton, revised by Michael A. Tueller)

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