Tag: Procopius

This is part 3 of 3. Part 1 is here. Part 2 is here.

Οὕτω δὲ ἀκολάστως ἐς τὸ σῶμα τὸ αὑτῆς ὕβριζεν, ὥστε τὴν αἰδῶ οὐκ ἐν τῇ τῆς φύσεως χώρᾳ, κατὰ ταὐτὰ ταῖς ἄλλαις γυναιξὶν, ἀλλ’ ἐν τῷ προσώπῳ ἔχειν ἐδόκει. οἱ μὲν οὖν αὐτῇ πλησιάζοντες, ἔνδηλοι εὐθὺς ἀπ’ αὐτοῦ ἦσαν, ὅτι δὴ οὐ κατὰ νόμον τῆς φύσεως τὰς μίξεις ποιοῦνται· ὅσοι δὲ αὐτῇ ἐν ἀγορᾷ τῶν ἐπιεικεστέρων ἐντύχοιεν, ἀποκλινόμενοι σπουδῇ ὑπεχώρουν, μή του τῶν ἱματίων τῆς ἀνθρώπου ἁψάμενοι, μεταλαχεῖν τοῦ μιάσματος τούτου δόξειαν. ἦν γὰρ τοῖς ὁρῶσιν ἄλλως τε καὶ ἀρχομένης ἡμέρας βλάσφημος οἰωνός. ἐς μέντοι τὰς συνθεατρίας ἀγριώτατα εἰώθει ἐς ἀεὶ σκορπιαίνεσθαι· βασκανίᾳ γὰρ πολλῇ εἴχετο. Ἑκηβόλῳ δὲ ὕστερον, Τυρίῳ ἀνδρὶ τὴν ἀρχὴν παραλαβόντι Πενταπόλεως, ἐς τὰ αἴσχιστα ὑπηρετήσουσα εἵπετο, ἀλλά τι τῷ ἀνθρώπῳ προσκεκρουκυῖα, ἐνθένδε ὅτι τάχιστα ἀπηλαύνετο· διὸ δὴ αὐτῇ ἀπορεῖσθαι τῶν ἀναγκαίων ξυνέπεσεν, ἅπερ τὸ λοιπὸν ἐπορίζετο, τὴν ἐς τὸ σῶμα παρανομίαν, ᾗπερ εἴθιστο, ἐργαζομένη. ἐς μὲν οὖν Ἀλεξάνδρειαν τὰ πρῶτα ἧκεν. ἔπειτα δὲ πᾶσαν τὴν ἕω περιελθοῦσα, ἐς Βυζάντιον ἐπανῆκεν, ἐργασίᾳ χρωμένη ἐν πόλει ἑκάστῃ· ἥν γε ὀνομάζοντι, οἶμαι, ἀνθρώπῳ, οὐκ ἄν ποτε ἵλεως ὁ θεὸς εἴη, ὥσπερ οὐκ ἀνεχομένου τοῦ δαίμονος χῶρόν τινα τῆς Θεοδώρας ἀκολασίας ἀγνῶτα εἶναι.
(Procopius, Anecdota 9.24-28)

Thus did she abuse her own body licentiously, making it seem that she had genitals not in the place where nature ordained for all other women, but in her face! All who were intimate with her were instantly known, by that very fact, to be men who did not have sex according to the laws of nature, while any decent men who came across her in the marketplace would turn back and beat a hasty retreat, lest they should touch a corner of that person’s clothes and feel that they had been tainted by the pollution. Those who saw her, especially early in the morning, regarded her as an ill omen. Yet she was in the habit of constantly lashing out viciously, like a scorpion, against her fellow actresses, for she was mad with envy. When Hekebolos, a man from Tyre, was later appointed to govern the Pentapolis, she followed in order to serve him in the most shameful things. But she offended the man in some way and was thrown out forthwith. And so it came to pass that she was destitute, lacking even necessities which she obtained from then on in her usual manner, by prostituting her body. First she went to Alexandria and then, after touring the entire East, she returned to Byzantion, plying her trade in each city on the way—God would show no mercy upon the man who specified the name of that trade. It was as though some evil force had decreed that no place should be unacquainted with Theodora’s lechery. (tr. Anthony Kaldellis)

This is part 2 of 3. Part 1 is here. Part 3 is here.

Ἥσσων γάρ τις οὕτως ἡδονῆς ἁπάσης οὐδαμῆ γέγονεν, ἐπεὶ καὶ ἐς ξυναγώγιμον δεῖπνον πολλάκις ἐλθοῦσα ξὺν νεανίαις δέκα, ἢ τούτων πλείοσιν, ἰσχύϊ τε σώματος ἀκμάζουσι λίαν, καὶ τὸ λαγνεύειν πεποιημένοις ἔργον, ξυνεκοιτάζετο μὲν τοῖς συνδείπνοις ἅπασι τὴν νύκτα ὅλην· ἐπειδὰν δὲ πρὸς τὸ ἔργον τοῦτο πάντες ἀπείποιεν, ἥδε παρὰ τοὺς ἐκείνων οἰκέτας ἰοῦσα, τριάκοντα ὄντας, ἂν οὕτω τύχοι, ξυνεδυάζετο μὲν αὐτῶν ἑκάστῳ· κόρον δὲ οὐδ’ ὣς ταύτης δὴ τῆς μισητίας ἐλάμβανε. καί ποτε ἐς τῶν τινος ἐπιφανῶν οἰκίαν ἐλθοῦσα, μεταξὺ τοῦ πότου θεωμένων αὐτὴν, ὥς φασι, τῶν ξυμποτῶν ἁπάντων, ἐς τὸ προὖχον ἀναβᾶσα τῆς κλίνης, ἀμφὶ τὰ πρὸς ποδῶν ἀνασύρασά τε τὰ ἱμάτια, οὐδενὶ κόσμῳ, ἐνταῦθα οὐκ ἀπηξίωσε τὴν ἀκολασίαν ἐνδείκνυσθαι. ἡ δὲ κἀκ τριῶν τρυπημάτων ἐργαζομένη, ἐνεκάλει τῇ φύσει, δυσφορουμένη ὅτι δὴ μὴ καὶ τοὺς τιτθοὺς αὐτῇ εὐρύτερον ἢ νῦν εἰσι τρυπῴη, ὅπως καὶ ἄλλην ἐνταῦθα μίξιν ἐπιτεχνᾶσθαι δυνατὴ εἴη. καὶ συχνὰ μὲν ἐκύει· πάντα δὲ σχεδὸν τεχνάζουσα ἐξαμβλίσκειν εὐθὺς ἴσχυε. πολλάκις δὲ κἀν τῷ θεάτρῳ ὑπὸ θεατῇ παντὶ τῷ δήμῳ ἀπεδύσατό τε, καὶ γυμνὴ διὰ μέσου ἐγένετο, ἀμφὶ τὰ αἰδοῖα καὶ τοὺς βουβῶνας διάζωμα ἔχουσα μόνον, οὐχ ὅτι μέντοι ᾐσχύνετο, καὶ ταῦτα τῷ δήμῳ δεικνύναι, ἀλλ’ ὅτι ἐνταῦθα γυμνῷ παντάπασι παριέναι οὐδενὶ ἔξεστιν, ὅτι μὴ τῷ ἀμφὶ τοὺς βουβῶνας διάζωμα ἔχοντι. οὕτω μέντοι τοῦ σχήματος ἔχουσα, ἀναπεπτωκυῖά τε ἐν τῷ ἐδάφει, ὑπτία ἔκειτο. θῆτες δέ τινες, οἷς δὴ τὸ ἔργον τόδε ἐνέκειτο, κριθὰς αὐτῇ ὕπερθεν τῶν αἰδοίων ἐρρίπτουν, ἃς δὴ οἱ χῆνες, οἳ ἐς τοῦτο παρεσκευασμένοι ἐτύγχανον, τοῖς στόμασιν ἐνθένδε κατὰ μίαν ἀνελόμενοι, ἤσθιον. ἡ δὲ οὐχ ὅτι οὐκ ἐρυθριῶσα ἐξανίστατο, ἀλλὰ καὶ φιλοτιμουμένῃ ἐπὶ ταύτῃ δὴ τῇ πράξει, ἐῴκει. ἦν γὰρ οὐκ ἀναίσχυντος μόνον, ἀλλὰ καὶ ἀναισχυντοποιὸς πάντων μάλιστα. πολλάκις δὲ καὶ ἀποδυσαμένη ξὺν τοῖς μίμοις ἐν μέσῳ εἱστήκει ἐπὶ τῆς σκηνῆς λορδουμένη τε, καὶ τὰ ὀπίσω ἀποκεντῶσα, τοῖς τε διάπειραν αὐτῆς ἔχουσι, καὶ τοῖς οὔπω πεπλησιακόσι τὰ ἐκ παλαίστρας τῆς αὐτῇ εἰωθυίας βρενθυομένη.
(Procopius, Anecdota 9.16-23)

Never has there been a person so enslaved to lust in all its forms. She often went to the potluck dinner parties in the company of ten young escorts, or even more than that, all at the peak of their physical prowess and skilled at screwing, and she would bed down with her fellow diners in groups all night long. And when all were exhausted from doing this, she would turn to their servants, all thirty of them if that’s how many there were, and couple with each of them separately—but even this would not satisfy her lust. One time when she went to the house of a notable to entertain during drinks, they say that when the eyes of all the diners were upon her she mounted the frame of the couch by their feet and unceremoniously lifted up her clothes right there and then, not caring in the least that she was making a spectacle of her shamelessness. Even though she put three of her orifices to work she would impatiently reproach Nature for not making the holes in her nipples bigger than they were so that she could devise additional sexual positions involving them as well. She was often pregnant, but by using almost all known techniques she could induce immediate abortions. Often in the theater too, and with the entire populace as her audience, she would strip and stand naked at the very center of attention, having only a loincloth about her genitals and groin—not that she would have been ashamed to flaunt those before the whole city too, but only because it was not permitted for anyone to be entirely naked in the theater, that is without a loincloth about the groin. Wearing this outfit, then, she would lie down on her back and spread herself out on the floor whereupon certain menials, who were hired to do this very job, would sprinkle barley grains all over her genitals. Then the geese, which were trained for this purpose, pecked them off one at a time with their beaks and ate them. When she stood up again not only was she not blushing with shame but seemed rather to be proud of this performance. For she was not just shameless: she was also more accomplished than anyone else at devising shameless acts. Often she would take her clothes off and stand in the middle of the stage by the mimes, alternately bending backwards or drawing attention to her rear, advertising her special brand of gymnastics both to those who had more intimate knowledge of it and to those who did not—yet. (tr. Anthony Kaldellis)

This is part 1 of 3. Part 2 is here. Part 3 is here.

Τέως μὲν οὖν ἄωρος οὖσα, ἡ Θεοδώρα ἐς κοίτην ἀνδρὶ ξυνιέναι οὐδαμῆ εἶχεν, οὐδὲ οἷα γυνὴ μίγνυσθαι· ἡ δὲ τοῖς κακοδαιμονοῦσιν ἀνδρείαν τινὰ μισητίαν ἀνεμίσγετο, καὶ ταῦτα δούλοις, ὅσοι τοῖς κεκτημένοις ἑπόμενοι ἐς τὸ θέατρον πάρεργον, τῆς οὔσης αὐτοῖς εὐκαιρίας, τὸν ὄλεθρον τοῦτον εἰργάζοντο· ἔν τε μαστροπείῳ πολύν τινα χρόνον, ἐπὶ ταύτῃ δὴ τῇ παρὰ φύσιν ἐργασίᾳ τοῦ σώματος, διατριβὴν εἶχεν. ἐπειδὴ δὲ τάχιστα ἔς τε τὴν ἥβην ἀφίκετο, καὶ ὡραία ἦν ἤδη, εἰς τὰς ἐπὶ σκηνῆς καθῆκεν αὑτὴν, ἑταίρα τε εὐθὺς ἐγεγόνει, οἵανπερ οἱ πάλαι ἄνθρωποι ἐκάλουν πεζήν. οὐ γὰρ αὐλήτρια, οὐδὲ ψάλτρια ἦν· οὐ μὴν οὐδὲ τὰ ἐς τὴν ὀρχήστραν αὐτῇ ἤσκητο, ἀλλὰ τὴν ὥραν τοῖς ἀεὶ περιπίπτουσιν ἀπεδίδοτο μόνον, ἐκ παντὸς ἐργαζομένη τοῦ σώματος. εἶτα τοῖς μίμοις τὰ ἐς τὸ θέατρον πάντα ὡμίλει· καὶ τῶν ἐνταῦθα ἐπιτηδευμάτων μετεῖχεν αὐτοῖς, γελωτοποιοῖς τισι βωμολοχίαις ὑπηρετοῦσα. ἦν γὰρ ἀστεία διαφερόντως, καὶ σκώπτρια· ἀπόβλεπτός τε ἐκ τοῦ ἔργου εὐθὺς ἐγεγόνει. οὐ γάρ τινος αἰδοῦς τῇ ἀνθρώπῳ μετῆν, ἢ διατραπεῖσάν τις αὐτὴν πώποτε εἶδεν· ἀλλ’ ἐς ἀναισχύντους ὑπουργίας οὐδεμιᾷ ὀκνήσει ἐχώρει. καὶ τοιαύτη τις ἦν, οἵα ῥαπιζομένη μὲν τε, καὶ κατὰ κόρρης πατασσομένη, χαριεντίζειν τε καὶ μέγιστα ἀνακαγχάζειν, ἀποδυσαμένη τε, τά τε πρόσω καὶ τὰ ὀπίσω τοῖς ἐντυγχάνουσι γυμνὰ ἐπιδεῖξαι, ἃ τοῖς ἀνδράσι θέμις ἄδηλά τε καὶ ἀφανῆ εἶναι. ἐς δὲ τοὺς ἐραστὰς ἐχλεύαζέ τε βλακεύουσα, καὶ νεωτέραις ἀεὶ τῶν μίξεων ἐνδιαθρυπτομένη ἐπιτεχνήσεσι, παραστήσασθαι τὰς τῶν ἀκολάστων ψυχὰς ἐς ἀεὶ ἴσχυεν· ἐπεὶ οὐδὲ πειρᾶσθαι πρός του τῶν ἐντυγχανόντων ἠξίου, ἀλλ’ ἀνάπαλιν αὐτὴ γελοιάζουσά τε, καὶ βωμολόχως ἰσχιάζουσα, τοὺς παραπεπτωκότας ἅπαντας, ἄλλως τε καὶ ἀγενείους ὄντας ἐπείρα.
(Procopius, Anecdota 9.10-15)

At this time Theodora was hardly ripe enough to sleep with a man or to have sex with him in the way that a woman should. So she would offer herself to certain poor wretches who performed that disgusting act on her that some men do with other men. She did it even with slaves who were attending their owners at the theater and who took the opportunity to step aside for a moment and practice this pestilence. And so she spent much time selling herself in this way, specializing in that unnatural service of the body. As soon as she reached puberty and was ripe enough, she joined the women on the stage and immediately became a call girl in her own right. She belonged to the lowest rank, which in the old days they called “basic infantry.” For she had no skill with the aulos, nor could she sing or even perform in the dance troupe: all she had to offer to passing customers was her youth, and she put her whole body to work for them. Later she took up full-time with the mimes in the theater, taking part in their performances by providing backup vulgarity for the comedians. For she had an especially quick and biting wit, and soon became a star feature of the show. There was no shame at all in her, and no one ever saw her embarrassed. She would provide shameful services without the slightest hesitation and was of such a sort that if someone slapped her or even punched her full in the face she would crack a joke about it and then burst out laughing. She would strip down in front for any passers-by and then in back as well, revealing in the nude those parts which custom forbids to be shown to men. She would joke with her lovers lying around in bed with them, and, by toying with new sexual techniques, constantly managed to arouse the souls of those who were debauched. Nor did she wait for her customers to make the first pass at her; quite the contrary, she herself tempted all who came along, flirting and suggestively shaking her hips, especially if they were beardless youths. (tr. Anthony Kaldellis)

Τουτίλας δὲ μόνος ἐν μεταιχμίῳ ἐγένετο, οὐ μονομαχήσων, ἀλλὰ τὸν καιρὸν τοῖς ἐναντίοις τοῦτον ἐκκρούσων. Γότθων γὰρ τοὺς ἀπολειπομένους δισχιλίους ἄγχιστά πη προσιέναι μαθὼν ἀπετίθετο ἐς τὴν αὐτῶν παρουσίαν τὴν ξυμβολὴν, ἐποίει δὲ τάδε. πρῶτα μὲν οὐκ ἀπηξίου τοῖς πολεμίοις ἐνδείκνυσθαι ὅστις ποτὲ εἴη. τήν τε γὰρ τῶν ὅπλων σκευὴν κατακόρως τῷ χρυσῷ κατειλημμένην ἠμπίσχετο καὶ τῶν οἱ φαλάρων ὁ κόσμος ἔκ τε τοῦ πίλου καὶ τοῦ δόρατος ἁλουργός τε καὶ ἄλλως βασιλικὸς ἀπεκρέματο θαυμαστὸς ὅσος. καὶ αὐτὸς ὑπερφυεῖ ὀχούμενος ἵππῳ παιδιὰν ἐν μεταιχμίῳ ἔπαιζε τὴν ἐνόπλιον ἐπισταμένως. τόν τε γὰρ ἵππον ἐν κύκλῳ περιελίσσων, ἐπὶ θάτερά τε ἀναστρέφων αὖθις κυκλοτερεῖς πεποίητο δρόμους. καὶ ἱππευόμενος μεθίει ταῖς αὔραις τὸ δόρυ, ἀπ’ αὐτῶν τε κραδαινόμενον ἁρπασάμενος εἶτα ἐκ χειρὸς ἐς χεῖρα παραπέμπων συχνὰ ἐφ’ ἑκάτερα, καὶ μεταβιβάζων ἐμπείρως, ἐφιλοτιμεῖτο τῇ ἐς τὰ τοιαῦτα μελέτῃ, ὑπτιάζων καὶ ἰσχιάζων καὶ πρὸς ἑκάτερα ἐγκλινόμενος, ὥσπερ ἐκ παιδὸς ἀκριβῶς τὰ ἐς τὴν ὀρχήστραν δεδιδαγμένος.
(Procopius, Bell. Goth. 8.31.17-20)

But Totila now went alone into the space between the armies, not in order to engage in single combat, but in order to prevent his opponents from using the present opportunity. For he had learned that the two thousand Goths who had been missing were now drawing near, and so he sought to put off the engagement until their arrival by doing as follows. First of all, he was not at all reluctant to make an exhibilion to the enemy of what manner of man he was. For the armour in which he was clad was abundantly plated with gold and the ample adornments which hung from his cheek-plates as well as from his helmet and spear were not only of purple but in other respects befitting a king, marvellous in their abundance. And he himself, sitting upon a very large horse, began to perform the dance under arms skilfully between the armies. For he wheeled his horse round in a circle and then turned him again to the other side and so made him run round and round. And as he rode he hurled his javelin into the air and caught it again as it quivered above him, then passed it rapidly from hand to hand, shifting it with consummate skill, and he gloried in his practice in such matters, falling back on his shoulders, spreading his legs and leaning from side to side, like one who has been instructed with precision in the art of dancing from childhood. (tr. Henry Bronson Dewing)

Ὁ δὲ διὰ τῆς Λατίνης ὁδοῦ ἀπῆγε τὸ στράτευμα, τὴν Ἀππίαν ὁδὸν ἀφεὶς ἐν ἀριστερᾷ, ἣν Ἄππιος ὁ Ῥωμαίων ὕπατος ἐννακοσίοις ἐνιαυτοῖς πρότερον ἐποίησέ τε καὶ ἐπώνυμον ἔσχεν. ἔστι δὲ ἡ Ἀππία ὁδὸς ἡμερῶν πέντε εὐζώνῳ ἀνδρί· ἐκ Ῥώμης γὰρ αὕτη ἐς Καπύην διήκει. εὖρος δέ ἐστι τῆς ὁδοῦ ταύτης ὅσον ἁμάξας δύο ἀντίας ἰέναι ἀλλήλαις, καὶ ἔστιν ἀξιοθέατος πάντων μάλιστα. τὸν γὰρ λίθον ἅπαντα, μυλίτην τε ὄντα καὶ φύσει σκληρόν, ἐκ χώρας ἄλλης μακρὰν οὔσης τεμὼν Ἄππιος ἐνταῦθα ἐκόμισε· ταύτης γὰρ δὴ τῆς γῆς οὐδαμῆ πέφυκε. λείους δὲ τοὺς λίθους καὶ ὁμαλοὺς ἐργασάμενος, ἐγγωνίους τε τῇ ἐντομῇ πεποιημένος, ἐς ἀλλήλους ξυνέδησεν, οὔτε χάλικα ἐντὸς οὔτε τι ἄλλο ἐμβεβλημένος. οἱ δὲ ἀλλήλοις οὕτω τε ἀσφαλῶς συνδέδενται καὶ μεμύκασιν, ὥστε ὅτι δὴ οὐκ εἰσὶν ἡρμοσμένοι, ἀλλ’ ἐμπεφύκασιν ἀλλήλοις, δόξαν τοῖς ὁρῶσι παρέχονται· καὶ χρόνου τριβέντος συχνοῦ δὴ οὕτως ἁμάξαις τε πολλαῖς καὶ ζῴοις ἅπασι διαβατοὶ γινόμενοι ἐς ἡμέραν ἑκάστην οὔτε τῆς ἁρμονίας παντάπασι διακέκρινται οὔτε τινὶ αὐτῶν διαφθαρῆναι ἢ μείονι γίνεσθαι ξυνέπεσεν, οὐ μὴν οὐδὲ τῆς ἀμαρυγῆς τι ἀποβαλέσθαι. τὰ μὲν οὖν τῆς Ἀππίας ὁδοῦ τοιαῦτά ἐστι.
(Procopius, Bell. Goth. 1.14.6-11)

So Belisarius led his army from Naples by the Latin Way, leaving on the left the Appian Way, which Appius, the consul of the Romans, had made nine hundred years before and to which he had given his name. Now the Appian Way is in length a journey of five days for an unencumbered traveller; for it extends from Rome to Capua. And the breadth of this road is such that two waggons going in opposite directions can pass one another, and it is one of the noteworthy sights of the world. For all the stone, which is mill-stone and hard by nature, Appius quarried in another place far away and brought there; for it is not found anywhere in this district. And after working these stones until they were smooth and flat, and cutting them to a polygonal shape, he fastened them together without putting concrete or anything else between them. And they were fastened together so securely and the joints were so firmly closed, that they give the appearance, when one looks at them, not of being fitted together, but of having grown together. And after the passage of so long a time, and after being traversed by many waggons and all kinds of animals every day, they have neither separated at all at the joints, nor has any one of the stones been worn out or reduced in thickness,—nay, they have not even lost any of their polish. Such, then, is the Appian Way. (tr. Henry Bronson Dewing)

Ἐτύγχανε δὲ ὑπό του κυήσασα τῶν ἐραστῶν, ἡνίκα ἔτι ἐπὶ σκηνῆς ἦν, τοῦ δὲ κακοῦ ὀψὲ τοῦ καιροῦ αἰσθομένη πάντα μὲν ἐς τὸ ἀμβλύσκειν, ὥσπερ εἰώθει, ἐποίει, ἄωρον δὲ ἀποκτιννύναι τὸ βρέφος οὐδεμιᾷ μηχανῇ εἶχεν, ἐπεὶ οὐ πολλῷ ἀπελέλειπτο τοῦ ἀνθρωποειδὲς γένος γεγονέναι.  διὸ δὴ ἐπεὶ οὐδὲν προὐχώρει, τῆς πείρας ἀφεμένη τίκτειν ἠνάγκαστο. ὁρῶν δὲ αὐτὴν ὁ τοῦ τεχθέντος πατὴρ ἀπορουμένην τε καὶ ἀσχάλλουσαν, ὅτι μήτηρ γενομένη τῷ σώματι ὁμοίως ἐργάζεσθαι οὐκέτι ἂν δυνατὴ εἴη, ἐπεὶ καὶ ἀληθῶς δὴ ὑπῄσθετο ὡς διαχρήσεται τὸ παιδίον, ἀνείλετό τε καὶ Ἰωάννην ἐπονομάσας, ἐπεὶ ἄρσεν ἦν, ἐς τὴν Ἀραβίαν ἐς ἥνπερ ὥρμητο ἀπιὼν ᾤχετο. ἐπεὶ δὲ αὐτὸς μὲν τελευτᾶν ἔμελλεν, Ἰωάννης δὲ ἤδη μειράκιον ἦν, τὸν πάντα λόγον αὐτῷ ἀμφὶ τῇ μητρὶ ὁ πατὴρ ἔφρασε. καὶ ὃς ἅπαντα ἐπὶ τῷ πατρὶ ἐξ ἀνθρώπων ἀφανισθέντι τὰ νόμιμα ποιήσας, χρόνῳ τινὶ ὕστερον ἐς Βυζάντιον ἦλθε καὶ τοῖς παρὰ τὴν μητέρα τὰς εἰσόδους ἀεὶ ποιουμένοις τὸ πρᾶγμα ἀγγέλλει. οἱ δὲ οὐδὲν ἀπὸ τοῦ ἀνθρωπείου τρόπου αὐτὴν λογιεῖσθαι ὑποτοπήσαντες ἐπαγγέλλουσι τῇ μητρὶ ὅτι δὴ αὐτῆς Ἰωάννης ὁ υἱὸς ἥκοι. δείσασα δὲ ἡ γυνὴ μὴ ἐς τὸν ἄνδρα ἔκπυστος ὁ λόγος γένηται, τὸν παῖδά οἱ ἐς ὄψιν ἐκέλευεν ἥκειν. ἐπεί τε εἶδε παραγενόμενον, τῶν οἰκείων τινὶ ἐνεχείρισεν, ᾧπερ ἀεὶ τὰ τοιαῦτα ἐπέχειν εἰώθει. καὶ τρόπῳ μὲν ὅτῳ ὁ ταλαίπωρος ἐξ ἀνθρώπων ἠφάνισται οὐκ ἔχω εἰπεῖν, οὐδεὶς δὲ αὐτὸν ἄχρι δεῦρο ἰδεῖν οὐδὲ ἀπογενομένης τῆς βασιλίδος ἔσχε.
(Procopius, Anecdota 17.16-23)

She* had accidentally become pregnant by one of her lovers, when she was still on the stage; and perceiving her ill luck too late tried all the usual measures to cause a miscarriage, but despite every artifice was unable to prevail against nature at this advanced stage of development. Finding that nothing else could be done, she abandoned the attempt and was compelled to give birth to the child. The father of the baby, seeing that Theodora was at her wit’s end and vexed because motherhood interfered with her usual recreations, and suspecting with good reason that she would do away with the child, took the infant from her, naming him John, and sailed with the baby to Arabia. Later, when he was on the verge of death and John was a lad of fourteen, the father told him the whole story about his mother. So the boy, after he had performed the last rites for his departed father, shortly after came to Constantinople and announced his presence to the Empress’s chamberlains. And they, not conceiving the possibility of her acting so inhumanly, reported to the mother that her son John had come. Fearing the story would get to the ears of her husband, Theodora bade her son be brought face to face with her. As soon as he entered, she handed him over to one of her servants who was ordinarily entrusted with such commissions. And in what manner the poor lad was removed from the world, I cannot say, for no one has ever seen him since, not even after the Queen died.

* Empress Theodora

(tr. Richard Atwater)